Metal pressure plates were replaced by plastic ones, which improved the ability to keep the film flat and the image in focusĬontained smaller, more widely spaced perforations (used by the camera and projector to pull the film along), which allowed for a larger image area and translated into higher image quality Introduced a new cartridge system, eliminating the need to thread film manually on the spoolĭid not require reloading or re-threading halfway throughĪllowed the camera to be loaded in under 2 secondsĮliminated the need for splicing (since the film was already in its final width of 8mm) and It was even easiermore easy to use than the Standard 8, as it: In 1965, the Super 8 film format was released to the public. These days, we’ve taken the next step: converting 8mm film to digital. This is what made it affordable for anyone with a budget outside of the MGM organization.īecause of the film’s two passes, the format was sometimes called “Double 8.” The spools allowed for about 3 minutes of filming, leaving no time for small talk, Capra junior. Each frame was half the width and half the height of a 16mm frame, so you were able to shoot four times as much on the same amount of film. Then, the same film ran through the camera again, this time exposing the other edge.ĭevelop, splice, and you were left with two spools of 8mm film with a single row of perforations along one edge. When the first pass was complete, the operator would open the camera and swap spools. On the first pass through the camera, one side of the film was exposed. Standard 8 film spools contained a 16mm wide film with twice as many perforations along each edge as normal 16mm film. The Standard 8 film format (also known as “Regular 8” and “Double 8”) was released to the market in 1932. Getting twice as much footage at half the size made shooting movies more accessible for everybody. 8 millimeters is about as wide as a pencil. Once processed, they literally spliced the long roll of film in half down the middle to create two film strips. To create an affordable alternative for the masses, the Eastman Kodak company was the first to take the 16mm film and cut its frame size in half. 16mm just wasn’t viable for widespread home use and not all of it could capture sound when shooting.
8MM FILM TO DIGITAL CONVERTER EQUIPMENT MOVIE
Amateur and semi-professional filmmakers were using film that was less than half as wide, called 16mm.Īs film and movie cameras trickled off of movie lots and became more accessible, everybody wanted the ability to capture their own family memories on film. Motion pictures in the first half of the 20th century were shot on large rolls of film that were 35 millimeters wide (35mm). Here’s a little history on this unique film format. Now that we’re warmed up, let’s set the stage for talking about those 8mm films you have gathering dust. "8 Minute Abs” are what you start doing every January 1st and forget about one week later. “8mm” is a sadistic blockbuster featuring old home movies, with Nicholas Cage playing the hero. As nobody once said, “Don’t h8, self-educ8!”
Now, if you’ve got eight minutes to spare, I think we can sort it out and reassure you that you can identify and safely bring all that classic footage into the digital age to share with generations to come. With all those family memories trapped and fading on an expired format, what to do? What do you have? Are these old films still good? How do you watch or show your old movies? How does one transfer an 8mm movie film to digital? Can Super8 even be converted to digital video formats? The same can go for stumbling across those old 8 millimeter (8mm) films in your attic.
Delicious to watch, but possibly terrifying to be behind the wheel. Vehicles crossing paths at high speed means there could be an accident at any moment. If you’ve ever seen a car race on a figure-8 track, it’s a whole lot of chaos.